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Analoge Photography / Dekonstruktion

This project uses portrait photography to explore how public spaces, shaped by male-dominated urban planning,
are experienced differently by women*. The underpass on Rudolfstraße in Linz becomes a stage of tension:
shadowed corners, winding paths, and limited escape routes evoke both vulnerability and resilience.

Through portraits of individuals read as female, the work interrogates who public spaces truly serve
and who must navigate fear and courage within them.

The deconstructive approach—manipulating film, layering fingerprints, and disrupting surfaces—makes visible the traces of
presence, vulnerability, and resistance, transforming the portraits into a tactile reflection on power and perception.

The series asks: how do memory, authority, and perception define the spaces we inhabit, and what courage does it take simply to exist within them?

The series asks: how do memory, authority, and perception define the spaces we inhabit, and what courage does it take simply to exist within them?

scanned photos without deconstruction

LUISA MARIA GEYRECKER

PROJECT 001

CONTACT

PROJECT 003